Creating Good Relationships with the Public through Well Designed Dissertation

Creating Good Relationships with the Public through Well Designed Communication - Dissertation Example Good design is always an important element of any creation, but in politics the impact can be a defining element for the future. Chapter 1: Introduction Introduction Design is a part of the way that life is translated through the creation of objects and ideas that support modern life. When a design is flawed, the purpose of an object can become a hindrance to an effective result. An example of this can be seen in the butterfly ballots in Florida during the 2000 election in the United States where the Presidency was affected by the inadequacy of the design. The future of the world was impacted by the decision that was cast through a voting system that was inadequate to the purpose of its design. Discussing Design Design is the kind of word that has a great many meanings and can be applied to a great number of applications in the human experience. Designing something means creating an arrangement that will meet a specific goal. Design can mean creating a visual impact through the edito rial point of view as it is adapted for fashion or for interiors, or through the impact of design aesthetics on a message that is intended to persuade or inform. Design, in all of its forms, is an action and the consequence of the action is to communicate something from the designer to the public with the designed product being the conduit of the information. To design is to intend a communication. There are a great number of ways in which design impacts our daily life without considering that it has been designed to specifically create intent for the framework of the way we perceive the world. Culture is created through the application of designed perceptions on the way in which life is lived. This does not mean that the communication of the design has the impact that is intended, but it does mean that it will have a form of impact that can influence the direction of cultural development. Design is the activity of the creator, but the meanings that are interpreted from what has bee n designed belongs to the public. The conduit, the object that has been designed does not always have to be a tangible item. The design intent can be intangible, a method of creating communication that impacts the receiver in such a way as to enact an impression towards information that the designer wishes to convey. The design of this impact can be through a variety of related symbols of what is intended, everything from the clothing that an individual who represents that information wears to the way in which text that is related to the information is chosen to convey some form of meaning upon the words that are used. Summary The following paper is intended to explore the way in which design has impacted the political landscape, using the United States as a central example. Modern life is the result of design as objects can be seen as a part of the development of culture for the utilitarianism of the objects. When the utility of an object fails, the consequences can be understood a s long reaching and fateful in terms of how the world evolves. Design, therefore, is an act that is aggressive and

Discuss and explore the evolution of the vampire in the Research Paper

Discuss and explore the evolution of the vampire in the litearature,film,and popular culture - Research Paper Example Through it all, the vampires in vampire lore, and Edward in Twilight reflect societal consciousness, while assisting society in accepting that sometimes that which might seem evil is not really. The vampire is emblematic of all of these feelings of desperation, torture and loss, as well as being a symbol of destructive power and abstract horror, that invades our imaginations and sensibilities. As a symbol of desperation, however, the vampire perhaps has more in common with the desperate French nobility during the time of the French Revolution, such as the Princesse de Monaco, a noblewoman of the house of Choiseul-Stainville who died at the guillotine in 1794 (Loomis, 333). This is because the vampire is often the epitome of nobility, and â€Å"well-groomed horror,† and is often portrayed as wealthy (Abbott, 52). That said, the essence of the vampire is often desperation, even if the image is not of nobility. Part of their desperation comes from their status as being outsiders in society, an alien other. This causes the vampires to be stunted in their growth, as they cannot grow spiritually, in character or in relationships (Auerbach, 112). They have pathos because of their misrecognised identities, as they are innocent, but their innocence is hidden by their bodies, who are the very essence of evil. The modern vampires of the twentieth century, states Beck (94), as the allure to modern audiences because of their sense of pathos about what they are and the fact that they are painfully aware of their outsider status. Yet they also are a mirror for the desperations that human beings feel as well. Therefore, their desperation is felt not only by themselves, but also performs the function if reflecting mankind's own desperation. For instance, Bradshaw (2), tells of a psychologist who, upon reflecting upon a human patient who destroyed the helpless for profit and created a hellish home for the aged remarked about a vampire was not her first predator that she h ad known, but, rather, was just more honest and direct about it. In other words, the vampire is reflecting the desperation, or, in this case, the degradation of the human, and the vampire thus serves this purpose. The vampire also should not really be considered to be an outsider because he is so much like the human, only better, as he does not try to hide who he is, where a human might. Butler (1735) concurs. She states that the vampire is an embodiment of the monster within us, and serves the purpose in showing that human monsters are not so bad once you get to know them, while also allowing us to feel powerful as the monster himself. For Butler, the vampire is the embodiment of evil, yet, with their trappings of wealth, they make the evil somewhat appealing and with positive aspects. The vampire also is portrayed as a tortured being, much like the prisoners were tortured in the Bastille during the French Revolution. The torture sometimes takes the form of actual physical torture, such as the scene in Return of the Vampire (1943), in which the vampire is dragged into the sunlight and staked, leaving behind a rotting corpse(Gordon and Hollinger, 58). In Horror of Dracula in 1958, the death of Dracula by sunlight â€Å"is presented as a painful attack upon the victim's body...burning the vampire's skin to ash.† (Gordon and Hollinger, 101). The victims of the vampires are also tortured beings, such as the victims in George Romero's Martin. These victims have their wrists slit with razor blades, as the